Monday, June 21, 2010
Tuesday, June 15, 2010
Weekend in Paradise
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I had read but mostly forgotten the NY Times article about the daughter's residence, Synergy. While I waited downstairs for her to get ready for dinner, some students in the next room were gathered around a piano. A particularly compelling song started, and I had to approach them to ask its title. As I entered the room, I saw that one of the ladies was wearing a pair of sneakers and nothing else. Their eyes were on my eyes. Knowing I would be examined for Neanderthal reactions, I allowed myself to see her as I would see anyone (neither staring nor averting). I addressed all of them, “Do any of you know what song this is?”
They smiled. A young man fired up his iPhone, "I know it's from Amelie" and started looking for a link to snag the precise title.
"The movie?"
"Yeah."
"That's all I need. Thanks so much."
The weekend took me back to my first college graduation and the exhilaration it produced. What an emotional experience, tasting and smelling the thrill and wide open space before one's child while being reminded that one once had that space, the operative word - had.
I'm skipping a lot. That said, in a certain respect, the song was perfect and will forever remind me of three days in June, 2010.
Friday, June 11, 2010
Graduation in Palo Alto
The daughter's genius boyfriend joined us for lunch. He won't talk about it, but she told me how last year he hacked into the database of a local prestigious network, and while inflicting no damage hijacked all of their machines and printed benign messages on their screens. He let them learn who he was, and after some conversation, they offered him a part time job for the duration of his time in Palo Alto. Well versed in Buddhism although he does not formally practice, he heads to the east coast this fall to start on his doctorate (Mathematics). The daughter, somewhat to the chagrin of dad (wanted Bloomington), returns to Tucson (yes, Tucson) to start hers in Sociology.
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Thursday, June 03, 2010
Carnival of Souls
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Shot for a song by relatively unknown director Herk Harvey and featuring totally unknown actors, Carnival of Souls (1962) is a strangely compelling film that at first comes across as a mediocre B-flick. However, it plants seeds that produce an entirely different result, and despite some of the awkward acting and a few marginal scenes, this is no B-movie. There is a reason this film acquired a cult following and is frequently shown and discussed in university film courses. Very short at only 76 minutes, the story follows a woman who crawls out of a river after the car she is in crashes from a bridge and falls into the water below.
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Skipping the plot, the film features a granularity that puts the audience right into 1962. You see the traffic, the car dashboard and radio, the advertising, and the background in a way that truly paints an atmosphere you can almost smell.
Things are not what they seem for this oddly cool yet drawn church organist who, in the most compelling scene of the work, falls into a sort of trance while playing the organ, the music drifting from standard church fare into notes and energies that are anything but. (The music required the use of a theater organ instead of a church organ.) Her hands and fingers, as well as her bare feet, acquire an escalating energy that does not belong in church, and hearing her, the minister rushes in to interrupt, deeply disturbed and shaken. Clearly under duress, he terminates her on the spot. What is that energy and where is it coming from?
She leaves, and we soon learn about the carnival that has been haunting her since she crashed into that river.
Labels: Cinema